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Saturday 22 November 2014

COMEDY KEYSTONES

In his 1980 tribute to the animation director “Tex” Avery, fellow director, “Chuck Jones” shared six lessons that he learned about comedy from working with Avery in the 1930s.

Amongst them were…

“You must love what you caricature. You must not mock it… unless it is ridiculously self-important… “

“If you are in that trade of helping others to laugh and to survive by laughter, then you are privileged indeed.”

“Remember always that character is all that matters in the making of great comedians, in animation, and in live-action.”

“Keep always in your mind, your heart and your hand that timing is the essence, the spine, and the electrical magic of humour.”

In a career spanning over 60 years, Charles Martin Jones (1912-2002) made more than 300 animated films, winning three Oscars as director, and in 1996 an honorary Oscar for Lifetime Achievement. He helped bring to life many of Warner Bros. most famous characters: Bugs Bunny, Daffy Duck, Elmer Fudd and Porky Pig. The list of characters he created himself includes Road Runner, Wile E. Coyote, Marvin the Martian, and Pepe le Pew.

Animator, cartoonist, voice actor, and director, Frederick Bean Avery, (1908-1980), was a descendant of Daniel Boone and the infamous Judge Roy Bean. He did his most significant work for the Warner Bros. and Metro-Goldwyn-Mayer studios. Avery is widely considered the original cartoon gag-man, famous for wild takes, breaking the fourth wall and medium conventions, and stretching every joke to its comedic limit.

I have often said that we can learn from the learned… unless of course we think we know it all!

Friday 14 November 2014

THE FOOD OF LOVE...


No, this is not about passion fruit or dates, it’s about music, which of course, has charms to soothe a savage breast, soften rocks, bend a knotted oak, and leap tall buildings in a single bound!

My regular reader will remember that towards the end of last year I reported the windup of Wikifonia, the lead sheet database, from which skillions of sheet music could be downloaded without login or subscription. So, there it was… gone like a long dog!

Since then, I have come across some ‘fake books’ that are available on the supersnicket,.and there is a chance that you might be able to find something to include in you show

Wikipedia defines a fake book as… “…a collection of musical lead sheets intended to help a performer quickly learn new songs. Each song in a fake book contains the melody line, basic chords, and lyrics* - the minimal information needed by a musician to make an impromptu arrangement of a song, or "fake it."

The sites are…

archive.org/details/fakebooks
archive.org/details/fakebook_the-firehouse-jazz-band-fake-book
meetup.com/NYCUkuleleJam/messages/boards/thread/5186315
valdez.dumarsengraving.com/557JazzStandards.PDF
jososoft.dk/yamaha/sheets.htm
realbooksite.com

Happy searching!

Only today, I happened upon the following site, which is in French, mes amis...

partitionsdechansons.com/

If you don’t parlez français, a quick translation will inform you that… “This website hosts only free songs free songs or filed with the consent of the author (?). Apart from these partitions, this site is a huge directory of free sheet music. It scans, it looks, it selects and offers all the best of the web PDF documents as links.”

Websites listed are offered not as recommendations, but purely for information. I have no connection with any of them, and I advise that anyone looking to download sheet music reads the conditions that pertain, before they press the return key.


*I still use the correct term, i.e. ‘lyric’, which The Free Dictionary defines as “The words of a song.”, but adds, “Often used in the plural.” Now, that’s dumb, because the word ‘words’ is already plural!


Monday 3 November 2014

A RIGHT PASTING!
Today I discovered a NODA review of a production of one of my scripts, which refers to a “schoolroom scene”. This is news to me, since I didn’t write it. It didn’t get there by accident. Person or persons unknown must have made it up, and sneaked it into the script.

As I have mentioned before, on the reverse of the title page of all my scripts are ‘IMPORTANT NOTES’ with the instruction, ‘PLEASE READ CAREFULLY’. Note number ‘5’ clearly states…

“No alteration to the title or script should be made without the author’s consent. All approved alterations of or suggestions for the script become the authors’ property.”

I received no communication from anyone requesting consent for the inclusion of a schoolroom scene. It would appear that not one person in the company, or on the committee, had the gumption to say, “Hang on a minute… we’ll have to check that out with G.Wizz Promotions”. It’s naughty, and it’s haughty!

Would these amateur societies change Chekov, alter Alan Ayckbourn, or revise Rodgers and Hammerstein? I think not!

I’m as cross as two sticks, but I have a solution, dear reader.

In my blog, ‘WRITES AND WRONGS’ 29.11.2011, I suggested that one way of dealing with these toplofty transgressors would be to “go round and re-arrange their furniture.”

However, I have decided that’s too good for ‘em. So… I am going to get together a group of gagsters, and when the smart alec/alice is somewhere else, we’ll descend on their domicile and redo the décor. Using gallons of gunge, we’ll paper the place in the style of a slosh scene from panto… with no splash spared!


Thus the whirligig of time brings in his revenges!