ALL RIGHT
ON THE
KNIGHT!
So shout, hip-hip-hooray,
He's a jolly good fellow…
21 today!*
He's a jolly good fellow…
21 today!*
Yes… my twenty-first script has just had a bottle of bubble bath broken
over its bows, before sliding down the slipway… sideways.
The title is "Flimflamalot – a prank in King Arthur’s court"
All right... it’s from the same stable as the Python’s ‘Spamalot’,
which was a spin-off of "Monty Python and the Holy Grail", but then the story goes
all the way back to 1135 (that’s the year, not twenty-five minutes to midnight)
when Geoffrey of Monmouth wrote “Historia regum Britanniae”, (“History of the
Kings of Britain”) a fictional work, which includes an account of King Arthur’s
conquests.
Fast forward to 1889, when the American humourist and writer,
Mark Twain (Samuel Langhorne Clemens) wrote “A Connecticut Yankee in King Arthur's Court “, which was
filmed in 1931 as “A
Connecticut Yankee”, starring Will Rogers. In 1949, Bing Crosby played the time-traveller in “A Connecticut Yankee in King Arthur's Court”, which was a musical film adaptation of the novel.
“The Sword in the Stone” was a 1963 Disney animated film about Arthur's
childhood, loosely adapted from T.H. White's take on the legend.
The "Carry On" team’s 1975 TV series, “Carry On Laughing”
included two courtly contributions… “"Under the Round Table", and "Short Knight, Long Daze".
The
French series "Kaamelott" (2005–2009)
featured a humorous look at the legend.
And
so it goes on...
Nothing
new there then, well. apart from my script, which incidentally, could be
conveniently performed at any time
of the year, as part of a regular season.
Hey…
that’s cool!
Well…
it was the age of shivery!
* The song, “I’m Twenty-One Today” was made popular by the English
music hall comedian and singer, Jack Pleasants (1875–1924) Born in
Bradford, he was a regular in pantomimes. His repertoire also included,
“Come in and Cut Yourself a Piece of Cake”, “I Want to be Pally with Everyone”,
“It's My Bath Night Tonight”, “Where Do Flies Go in the Winter Time?” and the
self-effacing, “I’m Shy, Mary Ellen, I’m Shy”.
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